"_V:NM_Association for promotion and dissemination of New Music

5. V:NM - Festival 2005
	Mi, 25.05.2005	Do, 26.05.2005	Fr, 27.05.2005	Sa, 28.05.2005
Mariahilferkirche	16:00 das kaum wahrnehmbare lächeln dostojewskis - von Klaus Lang Klaus Lang (organ) Natalia Pschenitschnikova (vocals)
medien.KUNSTLABOR	17:00 Eröffnung des 5. V:NM Festivals und von performed digits Ausstellung: MINI TOUCH STEIM (STudio for Electro-Instrumental Music) aus Amsterdam zeigt seine neuesten spielerischen und zum Spielen einladenden Klangobjekte wie das Sound Window / Portrait, das Sound Window / Alladin, das Finger Web, den Head Banger und die gute alte Crackelbox Ausstellungdauer: 25. bis 28. Mai Zur Reihe performed digits spricht Werner Jauk Konzert: Lady Crackels von Reni Hofmüller & Elisabeth Schimana		15:00 performed digits Gespräch mit Daniel Schorno und Frank Baldé / STEIM Horst Hörtner / AEC Futurelab Moderation: Werner Jauk
StockwerkJazz				17:00 TANZMUSIK XVII - von Henrik Sande Heimo Puschnigg (piano) Henrik Sande (piano)
WERKSTADT GRAZ	18:30 Präsentation Gastkünstlerprogramm Daniel Schorno (STEIM)
CUBE im IEM/KUG		19:00 STEIM / Daniel Schorno LIVE LIFE MUSIC Günther Albrecht (synth., 49 Kanal CUBE – playback) Franz Schmuck (percussion)	19:00 R O A R E H Hemma Geitzenauer 1) Soloperformance (polophon, feedback-wood flutes) 2) Neues Werk für Feedbackblockflöte von Elisabeth Harnik. SOUND FISHING Klaus Hollinetz (electronics) Manon-Liu Winter (extended piano)	19:00 ACOUSMONUMENTS Monumentale Akusmatik Christian Tschinkel BIPSN SOUNDOG Uli Winter (cello) Elisabeth Harnik (clavichord) Josef Novotny (electronics) Fredi Pröll (dr) Katharina Klement (piano)
ESC / lab	20:00 performed digits Installation: Vetro-touchless von Andre Smirnov Smirnov - Leiter des Theremincenter Moskau - nennt seine Instrumente Vetro Sensoren (vetro in Russich bedeutet Wind). Flexible Theremin-Sensoren hängen von der Decke, auf jeden Luftzug reagierend. Performance: Lena Golovasheva Ausstellungdauer: 25. bis 28. Mai 20:30 ERINNERUNG IN JEDEM LAUT audiovisuelle interaktive Improvisation Se-Lien Chuang (yan-zin, vocal, visuals, max/msp/jitter) Andreas Weixler (multi channel-granularsynthesis, max/msp/jitter)	15:00 performed digits Gespräch mit Andre Smirnov Theremincenter Daniel Aschwanden / Bilderwerfer Moderation: Elisabeth Schimana 21:00 "ctrl" Bernd Klug – (bass) Gloria Damijan – (klavier) Bernhard Schoeberl – (gitarre) Gabriele Teufner – (flöte) Meike Melinz – (flöte) Die Seppln "Stoateiflpoika" Sepp Pinter (Teufelsgeige) Sepp Zmölnig (Trompete)	21:00 4: 3 Elisabeth Schimana (electronik, konzept) Andre Smirnov (instrumenten design) Lena Golovasheva (bewegung) Elisabeth Flunger (schlagwerk) per_forms Florian Gruber (modifiziertes tonabnehmersystem, kunststoffrohre, mikrofon) part I: loops for dj`s part II: searching rooms	21:00 BÖSZE / HAUTZINGER Cordula Bösze (flute) Franz Hautzinger (tp) COCOON Martin Kolber (windblown instruments, com. desk) Franz Wienerberger (tapes) Stefan Fraunberger (b, electronics)
StockwerkJazz	22:30 Annette Giesriegl (voc) Armin Pokorn (guitar) UMHERSCHWEIFENDE PRODUZENTEN Seppo Gründler (guitar, electronics) Rupert Lehofer (actor)	22:30 EISBERG/BREUER/GRATT Wolf Lobo Eisberg (reeds, piano, fender rhodes) Bernhard Breuer (dr) Gigi Gratt (git,b) DAS EU – E MEETS U - O.V.V. Gerd Schuller (keyboards) Gerald Schuller (dr) Heimo Puschnigg (piano) Josef Klammer (dr, electronics)	23:00 Live in ORF / Ö1 – Die lange Nacht der Neuen Musik (23:05 – 6:00) HOBSON`S CHOICE Elisabeth Harnik (piano) Hermann Stangassinger (b) Hannes Schweiger (dr) HABERL/NEUGEBAUER/WINKLER Arnold Haberl (cello) Herwig Neugebauer (bass) Reini Winkler (dr)	22:30 THE PARADISER Oskar Aichinger (p) Martin Zrost (sax) Vincenz Wizlsperger (b) Paul Skrepek (dr) THE ATOMICS Blaise Siwula (saxes) Jacques Nobili (trombone) Mario Rechtern (saxes) N.N.
1. Tag: € 13.- / 11.- 2. Tag: € 15.- / 13.- 3. Tag: € 15.- / 13.- 4. Tag: € 15.- / 13.- Einzelkonzert: € 6.- / 5.- Festivalpass: € 40.- / 35.- 5th V:NM Festival/Forum, 25–28 May 2005 performed digits In 2005, the V:NM Festival focuses on the theme of performing electronic arts/music — ranging from links to performing arts, such as dance or drama, to the design of special music interfaces for digital sound generators or sound processors. The experimental and improvisational character of the performances will again be maintained by staying open to new artistic partnerships and forms. The Festival will be complemented by a symposium so that practice can be followed by discourse. In line with the Festival’s theme, there will be collaborations with the STEIM (STudio for Electro-Instrumental Music) in Amsterdam, who pioneered the development of “extremely physical interfaces”, and the Moscow-based Theremin Centre using the theremin technology specifically as an interface to the digits. Audio or video tracking allows for complex, dynamic interactions between analogue and digital processes and thus, are considered potential new technologies for live art performances. Performances are planned to be staged at the IEM (Institute of Electronic Music and Acoustics), ESC and Stockwerk. The exhibition of STEIM’s Electro Squeek Club (see Annex) and the instrument collection of the Theremin Centre (various theremins, terpsitone, rhythmicon) will be organised jointly with the Kunsthaus Graz / Medialab on their premises. Within the framework of collaboration with the STEIM and the Theremin Centre, two visiting composers are planned to be invited in co-operation with Werkstadt Graz and the IEM. The symposium is organised jointly with the Institute of Musicology of the University of Graz and the IEM. It is planned to issue a theory monograph in the IEM’s series “Bemerkungen zur Elektronischen Musik” (observations on electronic music).